Anna Kaplan Contemporary (formerly BT&C Gallery) announces Urban Passage, a solo exhibition of new work by Susan Reedy. The focus of Urban Passage is Reedy’s mixed media works on canvas that lie at the intersection of painting, drawing, and collage. Reedy’s practice is process oriented, involving many layers of material and visual information. The result is a complex surface with many subtleties that reveals itself over time. Reedy sources collage materials from vintage ephemera— posters, fliers, segments of dictionaries, musical scores, magazines, newspapers— which are then used in combination with acrylic paint and various drawing media. She carefully selects her vintage materials in a process she compares to an “archeological dig” at flea markets, used bookstores, and estate sales and explains, “I have an inherent attraction to the look and feel of source material that has a sense of history to it, particularly things that are perceived as being imperfect. Papers and books that are torn, marked on, held together with string or tape, anything that shows that this object has had a history and a life of its own as it is passed from one hand to another is of interest to me.”
Fictions is an exhibition that centers on Montague’s conceptual faux books, posters and other ephemera, which have been a large part of his art practice for the last several years. In previous projects these fictional pieces functioned as a way to lead the viewer to ideas connected to the larger themes of the work— they were tangential to the main project. In Fictions Montague’s invented ephemera are the focus of the installation. The show consists of over 100 posters and other printed materials related to a fictional 1970s art institution called “The Thorold Gallery.”
Anna Kaplan Contemporary (formerly BT&C Gallery) announces Slowly I Turn, a solo exhibition of new work by Pam Glick. Glick’s imagery and use of color are a paradox in and of themselves— the work is both chaotic and frenzied while being structured and controlled; each abstraction has a definite gridded visual support maintaining it all as it threatens to collapse.